Thursday, January 2, 2014

STRANGER...

As far as I know black people have been coming to Europe long before I even thought I would be able to travel to Switzerland; never have I considered I could be a “sight”. I am generally very sensitive to being looked at intensely unless I am performing on stage. I normally have the ability to blend in really quickly in places I travel to; perhaps it has something to do with growing up in South Africa, I consider myself street wise, I am aware of people staring, because in my experience it normally means trouble.


James Baldwin wrote an essay, “Stranger in the Village”, where he recognizes history as a nightmare during a trip to Switzerland in 1951. When I read this in 2010, I felt a certain disappointment in history and my relation to the world; as it for me illustrates that not much has changed. 
I happen to travel to the same town he wrote about and have never felt so lonely in my life.
I took it for granted that travelling to this town would be similar to anything I have experienced before. I travelled to a literature festival where my current partner had been invited as a poet and author. My first impression was that the hotel staff must have seen black people before because she asked several times if my partner and I are sharing a room and she would not pronounce my name; which is reasonable 'NT' are not the easiest letters put together with no vowel. I ignored the strange looks because I have learned that Swiss people in general stare with no shame, where as in other countries this is rude; inviting a confrontation. In my discussion with other people their conclusion is, the looking is harmless and really friendly, it is a matter of curiosity.

I spent the week in between the festival locations and my hotel room avoiding public places as much as possible. On the last day we decided to visit the famous hot springs of the region as I have never experienced anything like it before.

Firstly, the town is now a huge tourist attraction in winter, with insane decor of wooden chic. I ate dinner one night at a place that looked like the inside of a sail boat; with exaggerated table cloths, expensive food and an overwhelming smell of tacky but expensive. The Spas and the pools are also in this taste of exaggerated exuberance; but too far away from the city to know what the difference is between modern and just plain ugly. I saw a lot of this when I was growing up, when someone who lived in the rural areas wanted their own house to have a bit of feng shui.

The hot springs have been turned into a modern building with the glaring eye of the mountains over you; while you are in the pool or you looking up at the mountains straining to hear the water as it travels through the valleys to reach the pool. I am not someone who likes wearing a swimming costume without anything covering my enormous backside but that’s the rule. You come in and leave your flip flops and towel at the entrance where you shower then proceed to the pools.

I have never been looked at with such intent and even during one of my performances I think the audience tends to find other things to look at. I was the “sight” in the pool, even the children could not close their gaping mouths; a fly could have landed and made home. Their parent’s eyes bore right through me in search of my core; even I have never been able to locate it, they stared on.
 At some point I could not move an inch as my partner freely crossed the pool to try out different massage points around the pool at different temperatures. I know these people did not mean to be unkind but after an hour of swimming and changing to different pools I fell apart and sobbed like a lost child in mall.
 It was a mystery to me at the time, because no one had called me neger yet; touched my hair and skin or even tried to talk to me. Just the same, there are days when the gaze gets to me; I find myself hoping that I meet the onlookers’ standard of scrutiny. Am I a living wonder?

 In Holland where I studied towards a Master of Theater they celebrate Christmas with Swarte Piet: a black fellow who arrives together with Sinterklaas and might trick the children if they have been naughty. He has a black face, red lips and a black afro. According to myths dating to the beginning of the 19th century, Saint Nicholas (Sinterklaas) operated by himself or in the companionship of a devil. Having triumphed over evil, it was said that on Saint Nicholas Eve, the devil was shackled and made his slave. A devil as a helper of the Saint can also still be found in Austrian Saint Nicholas tradition in the character of Krampus. *direct quote from wikipedea*

 In December there are Zwarte Piet dolls in every store, newspaper, television adverts, cookie packets and white men and women dress up on the eve of 6 December. My first reaction was of bewilderment; I could not imagine that this is possible in a country as developed in so called “tolerance”. I got home and started researching the origin of this custom; I even asked my Dutch friends who said that this is an old tradition done for the children, friendly and harmless in its origin they all grow up with it. So why do I feel offended? I cannot pause and smile when children run away from me during this time. “People are trapped in history and history is trapped in them”. Am I hung up on an inferiority complex that started with my ancestors? Is it possible that I will never be free of the complexities of prejudice?

In South Africa I grew up among white people, so I try to not reserve a special place for white authority. I pretend that we are equal; as the first means I am the same as my grandmother who was domestic worker. When I started attending school with white people, my grandmother insisted I smile, keep my self clean, as the whites adhere to strict rules of cleanliness and good behavior. In her time, the white man was salvation.
 I grew up in a time that sold black men as rapists, thugs; I as an unbeliever and accomplice. Baldwin writes about white people: “ these people cannot be, from the point of view of power, strangers anywhere in the world; they have made the modern world, in effect, even if they do not know it.” I am controlled by western culture whether I like it or not. I also have unconsciously inherited a rage that he refers to of the “disesteemed”. A kind of rage that is easily discounted, too emotional and not worth arguing about. I marvel at how naive my so called white European friends can be, I sometimes think it must be their inherited right, they feel entitled. 
 I have grown to understand that some people born in privileged societies like Netherlands, Sweden or Switzerland know they are born in a better position in the world, but do not want to be hated for it. I will not free my friend from the realization/reflecting on the actions of our forefathers. As I also have conditions from my history that occasionally change the rhythm in my step. I do not blame her for the actions of those before her, yet I am living some of the consequences of our past whether I decide to ignore them or not.
I operate in a world that makes me cringe at the word Bantu; as in my education it meant something negative, backwards and something to be left behind, so I can be a better human being. So much so that I think whiteness is still a standard some of my South African brothers and sisters aspire to. I come from a history where Hendrik Verwoerd stated, that “There is no place for [the Bantu] in the European community above the level of certain forms of labour ... What is the use of teaching the Bantu child mathematics when it cannot use it in practice? That is quite absurd. Education must train people in accordance with their opportunities in life, according to the sphere in which they live.”
 I am a stranger today because my story was told a long time ago before I even set foot in this continent. When I attempt to assert myself as a human being just like my European counterparts, I appear as something really cute, with complicated hair, flat nose and such beautiful fat lips. There are others brave enough to say “Why don’t you go back to Africa”?
 I cannot blame the crazy girl in a bus in Basel who shouted “Neger” when it was time for her to get off, the woman who found me with my socked feet on the chair of the train, started shouting about “my people’s disregard for hygiene”, referring to me as “you people”, the German woman who started gesturing at the size of my lips with her hands, saying “you are beautiful”.


I am stranger today because some conversations recall the past, a spectacle where Blacks were only servants, subhuman and needed to be supervised by superior races. As a South African I find myself always challenging the gaze, judgment, struggling to maintain my current identity. “Europe’s black possessions remained and do remain in Europe’s colonies, at which remove they represented no threat whatever to European identity”. This was written in the fifties.  I am not a European possession, although influenced by their past. There are currently a lot of Africans flocking into Europe; I myself am a part of this movement. There is evidence in politics of national identities being threatened by this movement; thus forcing people to fear their unfamiliar neighbor. In Switzerland there are political parties claiming Blacks as thieves with guns, a Swiss passport tucked in their back pocket depicted in cartoon drawings. Netherlands politics dictates they close their borders as the purity of nations is threatened.

I started writing this text in the hope to deal with my own ever changing identity at the same time naming the dark spaces for what they are in my eyes. As far as I remember I have always had a notebook and pen where I could jot down the unsaid. As I have got older the story seems to get more difficult to tell, it gets a bit serious somehow. It almost feels as if I need to exorcise some demons that have lived in the memory of my body and thoughts. There is still a lot of light to be let in so through these words life goes on and night turns to day.

Tuesday, February 5, 2013

Graduation Speech

Looking back in the way I know how.
I pay homage to the meetings.
In shared silence sitting in a circle, under the moonlight.
I looked up in one moment and realized we all live under the same sky.
Waking up in the dark to sit in silence and observe, ourselves, myself I am nothing without the breath, hands of others. 

The moments were transformed to treasure associated with fresh fruits, late night swimming under the skylight and the rumblings of a world that might end, enjoy now as life is too short and art is cultural.
Looking for energies, searching to uplift the artistic soul, the road leads to a place similar to an artistic Mecca.

This place that I have called my home for the past two and half years. 
These walls when days were dark they became darker whispering anxiety, self doubt and spitting at my insecurities. 
These walls that hold untold secretes whispered in the frustration of creativity and intense observation of learning by looking, doing and teaching.
In the halls I discovered my voice.
In the windows I avoided my true reflection, I abandoned the old in search of the new.
In the door frames and wooden doors I knocked, scratched and banged my head at the same time enjoying the pain and the wood splinters in my fore head.

Searching for an identity is nothing to be made fun of.
I remember wailing, I remember crying so much that it turned into laughter.
I remember talking, talking, talking. 
I remember the warmth laughter and I escaping to the arms of advisers and staff. Smoke breaks, walks in the park, crazy ideas  and crying out.

 Once I wrote:
Dear Reader
I don’t even know where to begin.
I’m sitting here and actually hand writing to you, it feels so old school. but it is the way it has to be. So let’s call this…A Journey towards Home.

 It is difficult to pinpoint one person and a certain event that has transformed, informed, morphed, performed in my search for home.
I know that it is from a lot of patience, administration, admiration and warm-natured belief of others in my work that I have ended up here. 
So I say ngiyabonga, ngiyabonga, ngiyabonga not only to you but also to myself.
No it doesn't work…
 It’s the rhythm and the pose, then catch, drop fall.
No, No try again the same way.
It’s the rhythm in the pose the catch drop fall.
Dum da dudum duda.

Ok, jiggle, wiggle move your package, don’t sit on a chair.
 Dum da dudum duda.

Keep it simple, keep it clean…

My pen rages and barks caught like cables run wild,
As usual I see red, red everywhere. Wanting to appear full circle at 360 degrees.
I’m looking at the world from all angles carrying suitcases of possibilities, formalities… Oops… accidents do happen so draw the curtains,
sms a friend the worlds gone blind

“I’m doing research in Zimbabwe, the children are always so happy there “

Ok, ok, I’ll keep it down.

Sooo what do you do?

I have demons, visions of a new world order, where food,resources are shared, spared all around the universe.

Ok, ok I’ll keep it light. Why am I surprised it’s the way of the world.
Push your own agenda, light a cigarette, the train is 5 minutes late hyperventilate …and the beat goes on… dum da dumdum duda…
 I guess ngifuna ukuba umuntu ongcono,
 obona izinto nagamehlo engqondo.
 Ngifuna ukukhuluma ngento ekhona;
bekhona abanye bethi bayakhululuma kodwa bayadavuza nje.

Jump, jump before u think.
The hip-hops heavy so follow your own rhythm.
Keep it light keep it simple, move with ease.

Sun rays light up my eyes as the dew drops squeeze their way pas the grass.
The air damp with a new day sings a fresh song making the leaves slow dance to the morning fog.
The birds sing in tune with the new morning, blocking out sounds of construction work and numbness of everyday.
The sun hums in out of the clouds like a coy mistress she’s in and out of focus, yet her song is heard all through out the land.
Even the busy bumble bee knows today will be a good day the sun cant hide it in her eyes.

 

Wednesday, October 24, 2012

http://www.fringereview.co.uk/fringeReview/5104.html


Face Off 



Genre: 



fringe theatre rating fringe theatre rating fringe theatre rating fringe theatre rating fringe theatre rating 

In essence, this is a pretty simple show. A performance artist sings a bit of Schubert, does a character piece in stand-up mode, has some badinage with her pianist, then changes back in front of VT, pulls faces in front the audience, then does the same in front of VT, sings a song in X'hosa and does a rap about the borders of artistic liberty when you yourself are a performer 'of colour'.
http://www.fringereview.co.uk/fringeReview/5104.html


Reviewed by Jorik Mol 5 September 2012

Website :

Wednesday, February 29, 2012

FACE OFF





My travels, like any other, developed out of a necessity - the need to develop myself as a maker and a performer. Along this journey I have often felt the need to be acknowledged by others, and to feel worthy as an artist and as a person. At DasArts, I questioned what makes me unique as an artist. What is it, exactly, that I do? What makes me different from the talented maid who washes the dirty laundry while humming a lullaby that sends shivers down the spine, the garbage man who makes figurines as a hobby, or the waiter who is also a jazz musician by night? Once I realised there is nothing special about what I do, I felt, for the most part, as though I was digging in mud and getting nowhere. Finding my own truth has been central component of my two-year quest.

As a theatre maker, I am interested in making work that contributes to the world I live in. To do that, I need to go deeper and find my signature as a maker, to investigate form and style and my specific approach to creating performance. Again, this process involved several questions. Why do I feel the need to abandon conventional methods in theatre? How do I approach the spectators in such a way that they listen and feel? Indeed, why should they? What do I expect from the spectator?
Ironically, putting myself out there as the subject, insecurities and all, has been the key to finding a truthful and deeply personal expression that touches on universal issues. As soon as I stopped trying to match other people’s expectations, I found myself.

Face Off represents a preoccupation with my own skin. I am a South African whose life experience has been formed and dominated by race. Coming to Europe has made me confront these issues outside of racially prescribed South African society. At times, it is uncomfortable and feels claustrophobic. As a stranger in a strange land, I wonder whether these feelings are caused by how others perceive me, or whether I project these feelings onto others.
In Face Off, I hope to ask questions about the roles we play, the roles we are put into and masks we choose to wear.

The process forced me into a place where I stopped taking myself so seriously. I can laugh at myself, and do not feel the need to present concrete answers but, instead, to keep on asking questions. Once I started to ask questions, the wool began to unravel. Through this performance-based response I contextualised where I come from, what informs my immediate thought processes and how I respond to the world in general. At the very heart of the matter is my desire to make a socially engaging performance, to find my own voice and my own way, and to give form to this.

I would say that one of the most important lessons learned during this period has been that I do not need to try and gain acceptance from others. Instead, I engage with my art in a way that it is not only a fulfilling experience for my audience but one that also feeds my soul. Just like me, my art is constantly evolving and it cannot be fixed in one place anymore. It is from here that I will proceed, and continue to work, create, love and live.

Concept and Performance: Ntando Cele
Music: Simon Ho
Script: Raphael Urweider
Advisors: Catherine Henegan, Petra Aardai
Thanks to Dasarts- www.dasarts.nl
Rotefabrik- www.rotefabrik.ch

Saturday, November 13, 2010

Once walked, twice talked...








Once walked, twice talked…


When walking as opposed to running one of the feet is always in contact with the ground”.

As Ntando Cele I associate the ground with images of despair, desperation, grief and the potential for horizontal madness. I have the choice to walk over, along or in the ground. The performance;

Once walked, twice talked is an invitation to you the observer to take off your shoes and experience the ground, this is a story of two strangers; through sound and actions compete in the game of grief.

Thank you to Dasarts and Hetveem Theater September 2010

Mourner 1

Cat Smits

Mourner 2

Yinka Adesina

Wednesday, June 30, 2010

CYPHER SESSION VIDEO




“If my body were to be a drawn like a map, with borders, rivers and deserts; then through self composed sound, song, movement and spoken word; a knowledgeable person can navigate across the land recognizing the impressions of the future, past, present.”
Ntando Cele

Cypher Session is inspired by Songlines of the Indigenous Australians and the need to create a space filled with memories that collide / interact creating dialogue. Through songs, sounds and movement the audience will interpret
different stories.

This was a presentation of a work in progress to get feedback from collegues and practitioners. DASARTS 09/06/10.

Thursday, November 19, 2009

SONG IN MY HEART

Song in my Heart

(Inspired by More, more future. Choreography by Faustin Linyekula)

Playing in darkness,

Portraying dark spaces,

Places, hushed whispers.

The body imprints its footprints,

Speaking in murmur of hearsay.

Hands on heads, hands folded, hands on deck.

History portrays the instinct.

Survival of the fittest, run and don’t look back.

In search of new stories…no storytelling

In songs that heal your soul,

The dreamer is urged to cherish the moment.

Dance with drums, follow the moves and keep your eyes closed.

Full of contrast, contradictions

Congo, Africa paves the way forward.

In variations, marinating beautiful words of sound,

The body tells your story, our story, their story, black story …

They will say this is the wrong poem.

This history tells of violence I have come to accept as my own.

Violence against my body.

Violence against the body,

The violence in my body.

Thursday, October 1, 2009

Crossroads

Crossroads

I was at the crossroads, the centre of the beginning of the end.
Depending on which direction I take my destiny will alter and morph with each step I take, with each footprint I leave on the dusty road.

The uneven surface cause me to dwindle and wallop out of balance.
As the sharp stones poke my naked feet but I walk on.
Not knowing whether my feet bleed or no I trot imagination my feet to be made of hoof, hardened by steel of history and memory of a life lived in hardship.
I reach the tarmac unsure of which way to go. I spit on my left hand using two fingers from my right hand I hit hard the spit demanding a direction, guidance from the ones who have come before me, perhaps my sweat will attract their whispers. My attempt is futile as my spit just dissolves into the air, disappearing in the heat. I sigh wanting to scream in frustration. Wishing the path I am to take will show it self perhaps through a dream , a sigh, a bird will fall out the sky, a man will appear and with his fragile walking stick point me the right direction.

Nothing happens.

The tarmac seems to be melting under the scorching sun I am thirsty and dizzy from concentrating on the four roads, desperately waiting to pick up any movement or twitching of the earth that I will use as my excuse to head in that direction. In the midst of all that chaos my mind wants to slip back to my childhood remembering the days I played as a child following the roads to anywhere they led me. Magically I would always find the way home. Without doubt or fear of the voices on the road or the screams from the stones, groans from the tress I would sing my song kicking the smaller stones and blindly follow the road home. Since then the roads have changed,
With the change come new songs. The tarmac sings in strange language, a tone I do not recognize. It groans in serpent like whispers that sometimes send shivers down my spine. Spitting black mucus, that bubbles in the heat frying insects dead in seconds.

Instead of choosing the path today, I decide to lay down the centre of the crossing. My arms stretched out, my stomach burning from heat on the floor, my knees relax into the floor and my palms touch the ground.
At first the buzzing of the heat seems to stop taken back by what I have done. I can feel I have surprised even this all knowing intersection. I lay there and find peace in my indecision. Nothing happens the clouds stop on their lazy tracks, the wind holds it s breath, the heavens look at me puzzled.
Suddenly with great gusto the sky unleashes a great crack of lightening whipping the clouds and wind into a frenzy of chaos. The sky turns grey, thunder bellows, lighting whips the sky, sending the clouds to spill buckets, and buckets of rain drops the size of peas. The rain pelts my body, beating me to a pulp I lay still listening to the clashing then small drops of ice crash on the road like small treasures they run quickly, quickly before they melt into the earth. Still I lay with my eyes closed listening to the rebellion. In the midst of this my ear to the ground I hear a familiar song coming from deep within the earth it’s the song of the dirt, the song of the dust and mud that guides my soul keeping me grounded. “Follow me “ it cries, “I know the way home”. I start to humming the tune and I slowly fall into a deep, deep sleep in the middle of the road.

Tuesday, May 19, 2009

RESIDENCY2009





My first month in Switzerland, Zurich has been really interesting. Armed with a living allowance, through Pro-Helvetia(http://www.prohelvetia.ch/) I am hosted by the Rote Fabrik (http://www.rotefabik.ch/), who have provided a flat, studio and a platform for interaction with other artists in Switzerland.
Before I arrived I was put into contact with Marisa Godoy of Oona Project a choreographer and dancer working and living in Switzerland. We exchanged ideas on creating and what we have in common and I discovered she originates from Brazil so our issues on funding and creating work on a shoe string budget are the norm. After a few emails she invited me to come sooner to Zurich to watch her rehearsal process for a show called "please" opening in May at Theathre Gesneralle, so with much enthusiasm my residency started on a good note. Having a structure to attend rehearsals that start at 10 am till 5 pm I found it made the first month easy.
It was a flexible agreement that allowed me the luxury to sleep in on days when I could not wake up early.
Having watched her process a lot of questions still remain in my head that I doubt will be answered anytime soon.
Being allowed to watch rehearsals meant that I was constantly in a creative environment. Asking different questions in my head, about the role of performing or the performer and what I beleive to be.
I also watched theatre shows outside of Zurich and at the Rote Fabrik as it is a working cultural house with theatre, concerts and all sorts of other cultural events.

Through this resdency I have been introduced to thinking differently about the creation process and gaining more confidence as an artist.
I have learned the importance of having a "try out". Where a panel is invited to see the show before the real audience sees it. Here there will be a discussion and questions about decisions that make or break the work. This allows for open critism and advise on how the work could perhaps be made better.
I have also learned the value of having resources. My original application for the residency included the opportunity to create without pressure or lack of funding and to be able to discuss my problems with other practitioners .
I am slowly discovering my own process and hope more of my questions will organically answer themselves as I engage in my own rehearsal.

Monday, July 28, 2008

FUGEREE




This show is performed as public intervention or sight specific work.
"Fugeree" was created in Amsterdam, it was a response to the Xenophobic violence that took place in South Africa.

Tuesday, June 3, 2008

Long weekend

Cabin Fever…

 

Drinking tea waits for no one;

Quickly, crinkle your skirt and bargain for a cup of tea.

 

Crunch your way toward the syrup taste of donughts

 and chocolate chip cookies.

Fold your serviette in half and wait for a jam drooling toasted sandwich;

 that looks like its dreaming about caramel peanut butter.

 Indulge yourself in pepper, sprayed, pesto and cheese roll exploding with chicken pieces;

 mocking you from the one side of the bread….

Smother your tongue and let your teeth gnaw at a green fresh piece of lettuce;

 that cries “help” as you chew her friend; the cucumber slice she partied with the night before.

Crush some ice and strawberries and machine yourself a smoothie filled with wholesome goodness…

 and a teaspoon of fresh cream on top.

Still not satisfied huh?

Well then step right in and sizzle your self a tender steak,

 bleeding rawness and perfection; that when you start to chew;

 it oozes barbeque in sweet and sour garlic.

Throw your head in cream, butter, cheesyfied mashed potatoes dully waiting to be consumed.

 

I will say no more…

 

Saturday, May 31, 2008

Love vs Loneliness

Untitled

Writing love songs is like flamingos spilling into flight at sunrise.

Painting the sky, peach and orange.

Love songs are the twist of the tongue

Wanting to roll out, something smooth.

It’s the throat burning to sing a song;

 to soften the palate.


Love songs are the purging of a coy mistress;

 Fantasising about her estranged lover.

It’s the sad hum of an unsuspecting girlfriend;

 Sighing at the thought of her man lost in a big world.


Love songs are for crush crazed school girls;

Who create scenarios about love making and the art of relating.

It’s the hushed conversations about how

 He ejaculated onto her thighs.

 

Loneliness is the sick feeling in the stomach while the intestines play hide and seek,

Threatening anorexia.

It’s the unexpected nausea brought on by binging on chocolates and ice cream.

Loneliness is hearing a knock at the door and there’s nobody there.

It’s the door bell that never rings, communicating unknown call me backs to the cell phone.

 

Love songs are strange words written in a foreign language;

 by a caffeine fiend / poet lost in translation.

He scribbles reminiscing of summer days and rainfall at the park.

Love songs are for fat ladies sitting under the shade of a tree,

The compare stories of their first night.

Revealing secrets of stained sheets and the rejection of an un bleeding new bride.

 

Loneliness is an empty sigh after really good sex. It’s a feeling unsatisfied with life’s love

Whether they are precious moments or dull days in the sun.

Loneliness is the sound of a siren alerting the paranoia and numbing the taste buds.

The mind creating shadows that randomly appear.

 

Love songs are for good boys and clever lads decking their cards.

They pile their experiences to their wit and cunning.

It’s the drunken masters’ last story before he passes out.

Love songs are the dance of spirit as it sweats out passion.

Creating an air of angered petals, that breathes sweat and heavy panting.

It’s the charm at the beginning of a love affair tightening the air with tension.

 

Loneliness is the grey clouds constantly covering a girl’s sun.

Making her walk in the shade and be the only person with jersey on a spring day.

Loneliness is a sad blow of the wind; howling strange tunes.

The leaves dancing out of rhythm,

Crackling the branches that break off in disappointment.

Loneliness is the pounding of the drums.

Droning into oblivion with no beat in particular.

Inviting depression and unknown sorrow of past pain.

Loneliness is the regret and shame of love lost, love broken.

It’s the harsh whisper of self hatred and harsh self judgement.

 

Love songs are the pull and twist of a violin, crying out wanting to be heard,

Strings popping of place.

It’s the tight pull and blues of a lonely guitar in an empty flat;

Missing the grey shade of a piano.

 

May 2008 Amsterdam

 

 

 

 

Thursday, May 29, 2008

Short Story for Durban in a Word. A collection by Diane Steward, Published by Penguin.

URBAN LEGEND by Ntando Cele

 

Beats that drum to the beat of the nation.

Vibes that soar to tear up the tar, cracking the center

blurring the line.

Beat….beat …Godzilla approaching beat…

Cars. People, beat…concrete. Beat hear the call.

Vibes, earlobes exploding, hold your hairpiece

 strike a pose the city is vibin’.

 

Climax hits the sky, ecstasy high lifting me to flight.

Leaving the ground to exhale in the clouds.

Feet leaving the ground, smoke left behind.

Body spiral, play her your flute.

Elongated, hot weary of latitude she slides into the abyss to never return.

 

I tell of our meeting...

 

She sits on the edge of a canvas as if about to leap into a sea of rage, purging emotions, spilling the beans. Wrapped in a blanket of hope for love and humankind, she twirls in the canvas, splashing it Red, as if to spill into the sun. Green that overflows freshness rooting into the unknown. Blue as wide as the sky, deepening into space.

 

“Shosholoza” they sing, praising her as she bounces from coast to coast. The children have heard stories of how one day, she will magically drop from the sky, transforming the poor to drooping idiots with gold teeth the size of Puff Daddy's hand. The sad and bereaved to possessed worshipers, leaping to be saved.

The legend goes that everyone in the city will line up to touch her cloth. Some believe she will start on Point Road, while others say she will be received on Musgrave Road. She will then take her rightful place as the mother of the nation, the daughter to Chatsworth, worthy of Wentworth, princess of Umlazi, goddess of Newlands.

 

Blues sway the city, blues at Smith, coloured by holiday makers. I lay awake, pupils dare not close, insomnia phenomena. It's the usual, outside my window, the Berea is kind to the vendors. They cover it like a plague. Night time provides for some cleansing. “Who heard of one so dirty?” I  think to myself, wanting to strip away the dirty layers of my skin. My thoughts swing to empty happiness, holding my sadness firm while the darkness slowly pulls me in.

 

Outside the air is tight with uncertainty. Only the dogs see the fire flies, that announce her arrival. They howl like any other day, not altering their pitch makes them sound monotone.

Paper wrapped, dripping with the stench of urban lights,she lands in Durban. Her dress blows in the wind. Buzzing with the fresh thoughts that travel till eternity, she smiles, her feet nearly touching the ground.

Peace raiding Westville, west of Field Street. Morningside robots point toward the broad blankness of empty streets. Nobody knew she would be arriving tonight or just like

 the second coming, the women would have layered the streets with their attire,covering the tar. The children would sing alongside the streets,choirs competing to lament her arrival. The men would slaughter a cow in preparation for the feast, to rock till sunrise. The streets would be filled with celebrity wannabe's  wanting to be filmed in her presence. She chooses to look towards my window, maybe she heard the demons that bark inside my head.

 

Suddenly I smell the light, wet, weak but hot with comfort, canceling the despair. She sings at my window. Tuning in to her laughter my insides melt, as her words wrangle their way into my soul. I am lifted high,  high above the sky nearly touching the stars.  I know immediately that it is she. The legend also talks of how she reaches deep within and releases your light, warmth that shines forever. Burning all sins beyond recognition.

As she whispers to me, my soul touches hers. I catch a glimpse of lands she has seen, people she has touched,and the horror to come. I'm destined to tell her truth, I give in to absolute pleasure, open my arms to receive my gift. Eyes closed, mouth open...  She disappears... I breath.

 

Ear crackling, shackles locking , wet with erosion

I’m back, energized vibrating deep in my center.

Sensual red purity, hot zest steaming at the top of my head.

Burning with lust. Stroke of pop, streak of funk,

Shaking my wild hair to vibe..vibe.. beat… beat.

Vibes that soar gushing to pour out my senses.

Jive..jive… to the street.

 

 I yearn for more. I follow her.  Try to make out where she is. I’ve lost her in the crowd. I catch a glimpse of her yellow dress, I follow the smell of breyani. Her hair flows  like a mythical being I have seen on television.(Yet she is not blonde)  Calling me in ancient voice I float towards her.  Pen and paper in hand, clear visions of ecstasy, free of my own shackles, my soul floats. We fly high.

At this height they say you shouldn’t look down, I spot matchbox houses filed neatly behind malls, hidden from the passing eyes on the freeways. Squalor buzzes with blues for a better future, holidays on the beach, sunsets that leave you breathless.

 I take a deep breath as white air fills my lungs, clean air, fresh air. I dream of traveling out of this city. I dream of lush green pastures that roll out on the rocks and valleys of  a thousand hills, pretending they never end. I want to follow her where ever she goes...

 I spit at the deep blue sea calm with unrest of the unknown. I pretend I don’t know what it holds; I pretend I can’t smell the future, grey with colonial memoirs.

Finally we sit on the rocks on the edge of the sea, she tells me her lungs spit out a nation of the damned, not damned because they’re unlucky, they’re unlucky for they grope in the dark trying to find themselves. She has mercy on them,touched by their misery. Like Father Christmas she blesses  them while they sleep, magically anointing their foreheads. She promises better days, days of wealth and happiness in the land of the free.

 

 I know it is everyman for himself,you find your agenda and stick to it. Nameless dumbfounded they will always need her. Her story is the bread that feeds the empty souls roaming the streets, searching for their identity. It is the blanket that warms the streets on cold winter nights, lighting the fires till daybreak. Some even paint the streets in her honour,as did the San in their caves. I fear if she stays too long she will bargain with her soul without a thought. Then all hope will be empty. All of this I don’t say. Pen to paper I tell her story.

 

Pounding hearts , Afros, wild cool with rhythm.

Visions of happy clubbing, sipping cape velvet, silk sarong wrapped from my ankles.

Cool air damp with cool raindrops, wild side, drum side,

Run with the wind, wet ‘n  wild. Beat.. beat..

 

Running with the pulse” Who are these people?” African dream

”Where do they come from?” look bright see white paint the town black

The city is vibin’ …beat… beat…beat.. beat.

 

I write, I write of a legend I once heard speak...

 

Friday, May 23, 2008

NTANDOYENKOSINTOKOZOCELE

iNtandoyenkosi I ran away from, till iNtokozo was hard to find.
The will is inevitable in the search for happiness.
 I thank you my God, intando yakho mayenziwe;
 through my happiness.
20/04/08 Belguim

TATOOS

Mobilizing the rising need to shave the back of my head.

Mobilizing the arousal to open the back of my skull.

Mobilizing the forces that call for some kind of action.

My thoughts are covered in blue ink.

Hair to the north/
body to the west/ I marvel at those that paint their war colors/ shouting their song for all to hear/ take notice as you look away, you hear/ their song slowly whispered through your senses/ Its not a song of freedom or a cry or plea/ but victory over the demons of soul.

Thursday, May 15, 2008

OBSESSION

SWEET HEAVEN

 

Look up… Look up… gaped mouth, tonsils facing upwards.

The message is delivered.

Look up, look up, palms facing up, the sky opens up.

The clouds shift aside opening a gaping hole. Heaven’s insides exposed, the message will be delivered today.

 Light shines warming the air, melting man’s sins.

 A chorus can be heard coming from far.

Light rays pierce the air, reflecting colours of the rainbow that melt into gold dust, of cherubs.

 I’m looking up waiting to receive.

The clouds form bubbles of cotton wool that roll like candy floss, not like the cheap kind at a Boswell Wilkie circus but like the one you imagine to be growing in the streets of heaven that are paved with crystals and diamonds. Pearly gates, sweets of heaven.

The clouds bubble and flow waiting to announce the coming.

 

 Glory be to… she is here, she is here.

 The centre cracks shattering all logic sense that separate the right from wrong.

Sense of being black being white.

I want to see her face but my eyes close. Fearing the burning light has flowed through my pupils causing them to dilate, sending messages to my brain that awaken my lust for life, sensual spirit and absolute desire.

 The singing is closer now.

My eyes won’t look in attempt to stay at the cross I raise my hand, reaching out. I want to be there when she arrives.

 A thin finger manicured French perfection slowly reaches toward me, gravity pulls our fingers together, all else is silent. The world crumbles around us in blind silence whispers an electric surge charges through my body.

 Crashing all boundaries of self hatred.

 I travel in time and catch a glimpse of all who came before me. The message is clear…

We allow our darkness to envelop us; we need to let the wisdom of our soul to lead us to the pastures.

January 2008